НОВОГОДНИЕ ПЕСНИ ❄ НОВОГОДНИЕ ХИТЫ ДЛЯ ПРАЗДНИЧНОЙ ВЕЧЕРИНКИ ❄
01. Денис Клявер — С Новым годом (00:00)
02. Ян Марти и Юта — Новый год (С Новым годом, друзья!) (04:01)
03. Наталия Гулькина — Новый год (07:40)
04. Катя Кокорина & Доминик Джокер — Новый день и Новый год (11:29)
05. Нюша — Это Новый год (14:45)
06. Алексей Воробьёв feat. Виктория Дайнеко — С Новым Годом, мой ЛЧ (18:22)
07. Рада Рай — Новый год (22:06)
08. Сергей Трофимов — Новогодняя (25:59)
09. Александр Малинин — Новый год (29:51)
10. Алена Свиридова — Снежинки (34:38)
11. Александр Ломинский — Снегурка (38:11)
12. Григорий Лепс — Новый год (41:01)
13. Гости из будущего — Новогодняя песня (45:58)
14. Михаил Шуфутинский — Новый год в салоне самолета (50:08)
15. Аркадиас — Две свечи (RKD MiX) (53:49)
16. Владимир Цветаев — Новый год (58:10)
17. ViVA — С Новым годом, друзья! (01:02:22)
18. ЭНDИ — Зима (Новый год) (01:05:39)
19. Сергей Дубровин — Новогодний вечер (01:09:11)
20. Сергей Крылов — Новый год (01:13:24)
21. Балагуры — Разбросала косы русые береза (01:16:53)
22. Даниил Соколенко — Новый год (01:20:21)
BAROQUE MUSIC FOR BRAIN POWER — HISTORY OF BAROQUE MUSIC, COMPOSERS
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the \«classical music\» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term \«baroque\» comes from the Portuguese word barroco, meaning \«misshapen pearl\». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term \«baroque\» was adopted from Heinrich Wölfflin's art-history vocabulary to designate a historical period in music.
토이스토리 OST 피아노 모음 | Toy Story OST Piano Collection | ShinGiWon Piano Cover
— List — You've Got a Friend in Me
I Can't Let You Throw Yourself Away
The Ballad of the Lonesome Cowboy
Woody's Roundup
We Belong Together
Strange Things
I Will Go Sailing No More
When She Loved Me
Woody's Dream
Buzz
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CNN questions pastor who falsely says Covid-19 is a 'fake pandemic'
News of imminent vaccines comes as coronavirus surges throughout the country. CNN's Elle Reeve examined if the same resistance to face masks would happen to the vaccine in rural parts of the country.
Soft Jazz Sexy Instrumental Relaxation Saxophone Music 2013 Collection
Title: Soft Jazz Sexy
Artist: Soft Jazz
Year: 2013
Genre: Jazz
Format / Codec: Mp3
Bitrate: 320 kbps
Track list:
01. Ain't No Sunshine (When She's Gone)
02. Fallin '
03. I Can't Make You Love Me
04. Use Me (Bill Withers)
05. You Are My Lady
06. Sexual Healing
07. Let's Stay Together
08. Let's Get It On
09. And I Love Her
10. Where Is the Love?
11. After the Dance
12. Baby, It's You
13. Tears in Heaven
14. Here and Now
15. Europa
16. Groovin '(On a Sunday Afternoon)
17. If You Don't Know Me by Now
18. This Masquerade
19. Windmills of Your Mind
20. Lily Was Here
21. Smooth Jazz Anthem
22. Soft Jazz
23. Just Right
24. Always
25. When Lights Are Low
26. Savannah Nights
27. Mystery Man
28. West Coast Cruisin '
29. Laid Back Baby
30. Majestic