★♫ Лунный свет ★ Музыка Сергея Чекалина/ Moonlight — Sergei Chekalin
➤ bit.ly/2OZSFBQ — Пройдите бесплатно вводные 5 уроков (15 ак.часов) курса: «АНГЛИЙСКИЙ с нуля ДО АВТОМАТИЗМА» с Анастасией Божок — Получи больше знаний, чем за год обучения в школе ➤ bit.ly/2FwznBe — Онлайн-марафон \«Сценарий Вашей Счастливой Жизни\»
1 Полночь / Midnight
2 Дождь и солнце/ Rain and sun 7:28
3 День и ночь / Day and night 18:08
4 Летний день / Summer day 26:47
5 Лунный свет / Moonlight 33:50
6 Сахара / Sahara 42:52
7 Ночной город / Night city 50:50
С благодарностью к автору музыки Сергею Чекалину
Подписывайтесь на канал!
— Посмотрите, здесь еще много хорошей музыки:
➤https://youtu.be/LcCGt7b7tuM — Сергей Чекалин — Между звёзд/ Between the stars — Sergey Chekalin
➤https://youtu.be/9kX353-oPUw — Вечер Для Двоих — Вадим Гурьев ♫ Музыка Для Души/ Vadim Guryev — Evening for Two
➤https://youtu.be/n1eC7CsGxk4 — Алексей Козлов. Золотой Саксофон/ Alexey Kozlov. Golden saxophone
➤https://youtu.be/3tVs8Y5x1zk — Янтарный Листопад — Красивая Музыка Осени
➤https://youtu.be/R8oHLHhHAvE — Джованни Марради — Лучшее / Giovanni Marradi — The best
— ➤URL видео: youtu.be/Db1P9Lg088M
➤URL плейлиста www.youtube.com/playlist?list=PLnhy3p4Lv-fyeUUaaryejWpvt1e7k6B-r
➤URL канала: www.youtube.com/channel/UC2gZ4VIw0DJjbI2HJXnRaUg
1 Symphony No.40 in G minor, K.550. Allegro molto. 00:00
2 Eine kleine Nachtmusik, K.525. Allegro. 07:51
3 Piano Concerto No.20 in D minor, K.466. Romance. 13:30
4 Fantasia in D minor, K.397/385g 23:05
5 Divertimento in D major, K.136/125a. Andante. 26:49
6 Piano Concerto No.10 in E-flat major, K.365/316a. Rondo. Allegro. 33:11
7 Divertimento in B-flat major, K.137/125b. Andante. 40:49
8 Piano Sonata No.11 in A major, K.331/300i. Alla Turca. 46:33
9 Le nozze di Figaro, K.492. Overture. 49:37
10 Die Zauberflöte, K.620. Overture. 54:05
11 Symphony No.41 in C major, K.551. Menuetto: Allegretto. 01:01:15
12 Piano Concerto No.23 in A major, K.488. Adagio. 01:06:24
13 Requiem in D minor, K.626. Lacrymosa. 01:13:24
14 Requiem in D minor, K.626. Dies irae. 01:17:08
The Moscow Chamber Orchestra, R. Barshai, C. Orbelyan, Ensamle Concertino, V. Kozodov, The Lithuanian Chamber Orchestra, S. Sondeckis, Moscow Philarmonic Symphony Orchestra, V. Dubrovski.
Как стать лидером своей жизни. Практические советы Ирины Хакамады. Эксклюзив
Ирина Хакамада рассказала, кто такой лидер и чем он отличается от начальника, как ей удалось добиться лидерства, и объяснила, как определить, лидер ты или нет
BAROQUE MUSIC FOR BRAIN POWER — HISTORY OF BAROQUE MUSIC, COMPOSERS
Baroque music is a period or style of Western art music composed from approximately 1600 to 1750. This era followed the Renaissance music era, and was followed in turn by the Classical era. Baroque music forms a major portion of the \«classical music\» canon, and is now widely studied, performed, and listened to. Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
The Baroque period saw the creation of common-practice tonality, an approach to writing music in which a song or piece is written in a particular key; this kind of arrangement has continued to be used in almost all Western popular music. During the Baroque era, professional musicians were expected to be accomplished improvisers of both solo melodic lines and accompaniment parts. Baroque concerts were typically accompanied by a basso continuo group (comprising chord-playing instrumentalists such as harpsichordists and lute players improvising chords from a figured bass part) while a group of bass instruments—viol, cello, double bass—played the bassline. A characteristic Baroque form was the dance suite. While the pieces in a dance suite were inspired by actual dance music, dance suites were designed purely for listening, not for accompanying dancers.
During the period, composers and performers used more elaborate musical ornamentation (typically improvised by performers), made changes in musical notation (the development of figured bass as a quick way to notate the chord progression of a song or piece), and developed new instrumental playing techniques. Baroque music expanded the size, range, and complexity of instrumental performance, and also established the mixed vocal/instrumental forms of opera, cantata and oratorio and the instrumental forms of the solo concerto and sonata as musical genres. Many musical terms and concepts from this era, such as toccata, fugue and concerto grosso are still in use in the 2010s. Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works.
The term \«baroque\» comes from the Portuguese word barroco, meaning \«misshapen pearl\». Negative connotations of the term first occurred in 1734, in a criticism of an opera by Jean-Philippe Rameau, and later (1750) in a description by Charles de Brosses of the ornate and heavily ornamented architecture of the Pamphili Palace in Rome; and from Jean Jacques Rousseau in 1768 in the Encyclopédie in his criticism of music that was overly complex and unnatural. Although the term continued to be applied to architecture and art criticism through the 19th century, it was not until the 20th century that the term \«baroque\» was adopted from Heinrich Wölfflin's art-history vocabulary to designate a historical period in music.
ОН ПРИШЕЛ!!! СУПЕР- РЫБАЛКА НА РЕКЕ! ДВЕ НОЧИ, Так МЫ НЕ ОТДЫХАЛИ ДАВНО! УХА, ШАШЛЫК, КОПТИМ РЫБУ!
Душевная рыбалка на реке. Две ночи, так мы не отдыхали давно!
Уха, костер, шашлык, коптим рыбу!
ОН ПРИШЕЛ!!! СУПЕР- РЫБАЛКА! ДВЕ НОЧИ НА РЕКЕ, Так МЫ НЕ ОТДЫХАЛИ ДАВНО! УХА, ШАШЛЫК, КОПТИМ РЫБУ!
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#рыбалка #фидер #ночевка #уха #agat
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