10 Hrs Rainforest & Rain for Relaxing, Nature Sounds for Sleep, Meditation, Insomnia, SPA, Study



This 10 Hour Rainforest Nature Video contains a waterfall background, relaxing rain with rainforest ambiance sounds. This video is good for Relaxing, Meditation, Insomnia, Study, Sleep, Massage & Spa. I hope you enjoy my video. Sit back and reeelax.

Equipment used to create this video: After effects & Premiere Pro

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Do not copy and upload this video, sound / images and footages and music has copyright. Video is for viewing pleasure only. Copying any part of this video footage will result in a whole big mess of copyright striking. Background footage is licensed via Envato. Video is created by Relax Night and Day. Soundscape is also created by Relax Night and Day. — I have all licenses to use pictures, footage and sound — Love, light & peace
Relax Night and Day

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel



NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
youtu.be/ZCPWPh06FwE — Benjamin Britten
youtu.be/BK3aTsBKj9M — Arshia Samsaminia
youtu.be/_h2-h831iLw — Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах

Bach — Mass in B minor BWV 232 — Van Veldhoven | Netherlands Bach Society



Sublime, extreme and all-embracing… only superlatives will do to describe Bach’s Mass in B minor, the 'Hohe Messe', performed by the Netherlands Bach Society for All of Bach. In between an awe-inspiring Kyrie and the jubilant final Dona nobis pacem, there are nine completely unique arias and duets, fourteen impressive ensemble sections for four, five, six and even eight voices, a broad spectrum of instrumental solos, and an incredible variety of styles.

Recorded for the project All of Bach on December 15th 2016 at the Grote Kerk, Naarden. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.

For the interview with musicians from the Netherlands Bach Society on the Mass in B minor go to www.youtube.com/watch?v=QU9596vrep8
For more information on BWV 232 and this production go to allofbach.com/en/bwv/bwv-232/

All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederlandse-bachvereniging.

Jos van Veldhoven, conductor
Hana Blažíková, soprano 1
Anna Reinhold, soprano 2
David Erler, alto
Thomas Hobbs, tenor
Peter Harvey, bass

Лекция «Медицинские аспекты применения медитативных практик»



Юсипова Юлия Хайдаровна, PhD, врач, ректор Международного Института Традиционной Медицины прочитает лекцию на тему: «Медицинские аспекты применения медитативных практик. Опыт мировых исследований и практические наработки».

В рамках буддийского онлайн-форума «Арья Сангха Монлам. 28 ноября — 14 декабря на этом канале. Информация, программа и тексты на сайте Форума sangha.ru/monlam/

Поддержите Форум или присоединяйтесь к одной из благих активностей: подношению монахам Центрального Хурула Калмыкии, которые будут читать тексты Кангьюра или ежедневному подношению светильников в пещере Асура в Непале sangha.ru/monlam/donate/

Организатор — ЦРО Ассоциация Буддийских Общин «Арья Сангха» ОГРН 1197700006701

Энергопрактики, которые работают на всех планах и во всех измерениях.Савва Барс



Энергопрактики, которые работают на всех планах и во всех измерениях.Открытый мастер класс. Савва Барс youtu.be/rvq8IKiknsg
Методичка ЗДЕСЬ

Вебинар КЛИК-Интенсив: «Управление на основе данных в финансовом секторе» 12+



Вебинар проходит в режиме открытой лекции с возможностью задавать вопросы приглашенным экспертам, а также организаторам программы повышения квалификации «Методы и технологии по управлению, основанному на данных».

Подробнее о программе clickcdo.ru/
Telegram-чат для вопросов t.me/click_intensive

#ПрограммаКЛИК #CDO #edu2035

Разбор стратегий и метода занудных вопросов



Недавно мы запустили марафон джедайских техник.
Ссылка на марафон: links.mnogosdelal.ru/hyls-yt
Оплата за участие свободная!

Некоторое время у нас с вами проходил стрим, где мы выполняли упражнение по упорядочиванию собственных целей при помощи занудных вопросов. Я очень рад, что этот стрим зашел и в комментариях к записи люди стали выкладывать свои собственные диаграммы в Miro: www.youtube.com/watch?v=RpEfiwVSWQM

В пятницу вечером (4 декабря, 19:00 МСК) я предлагаю собраться в онлайне, где я прокомментирую основные моменты таких деревьев и поделюсь еще кое-какими соображениями.

Полиглот. Выучим английский за 16 часов! Урок №1 / Телеканал Культура



Полиглот. Выучим английский за 16 часов! Урок №1. Английский с нуля с Дмитрием Петровым. Учим иностранные языки онлайн.
Подписаться на канал Культура: www.youtube.com/channel/UCik7MxUtSXXfT-f_78cQRfQ?sub_confirmation=1
Все выпуски подряд: www.youtube.com/playlist?list=PL66DIGaegedqtRaxfVsk6vH5dBDuL5w92

Well-Tempered Clavier (J.S. Bach), Book 1, Kimiko Ishizaka, piano



Download this recording (MP3, WAV): music.kimiko-piano.com/album/bach-well-tempered-clavier-book-1

☛ \«she is a beautiful and technically accomplished player\», \«the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)\»
— American Record Guide, July-August 2015

☛ \«Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.\», \«She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.\»
— Donald Rosenberg, Gramophone Magazine

☛ \«A gifted and obviously devoted Bachian\»
— James Oestreich, New York Times

☛ \«in all the years, all the versions, I have never heard \»Book 1\" done better\", \«The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.\»
— Gapplegate Classical-Modern Music Review, February 26, 2015

☛ \«elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music\», \«A brilliant performance and brilliant set all around!\»
— Robert Cummings, Classical.net

☛ \«This is a recording to change your perception of the Well Tempered Klavier.\»
— Campbell Vertesi, The Cast, March 20, 2015

C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01

This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rother's Lillypond engraving: open.uct.ac.za/handle/11427/13106

Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир

Fireplace. Живой огонь. Камин для медитаций, сна, снятия стресса.



Fireplace. Живой огонь. Камин для медитаций, сна, снятия стресса.
Living fire. Fireplace for meditation, sleep, stress relief.

#Fireplace #КаминОгонь