【パワースポット自然音8時間】真の神気ですべてを浄化しエネルギーを活性化する【伊勢神宮別宮・瀧原宮】

【パワースポット自然音8時間】真の神気ですべてを浄化しエネルギーを活性化する【伊勢神宮別宮・瀧原宮】



この川は、伊勢神宮の別宮・瀧原宮に流れている頓登川(とんどがわ(宮川の源流)の動画です。隠れパワースポット「瀧原宮」のエネルギー解説はこちら↓
youtu.be/RrZyW4dxhxg

伊勢神宮の五十鈴川にも匹敵するレベルのエネルギーです。
具体的には、第七チャクラに対する作用、神様の御神気は五十鈴川のほうが強いです。
しかし、全体的なパワフルさ、身体全体に作用し包まれるようなエネルギーという面では瀧原宮のほうが強いです。
五十鈴川、瀧原宮、両方聴くことでよりよい作用が生まれます。

伊勢神宮・五十鈴川の川の動画はこちら↓
youtu.be/nWNRPOPwRtk

神様のエネルギーが入った川の音、川の映像をみることで
あなたの波動が上がり、チャクラが開きます。

勉強用、作業用、瞑想用、睡眠用、リラックス用など、
音楽が含まれていませんので、何にでも使うことができます。
この動画は早朝に撮影されたものです。
雨が降っていますが、水は気・エネルギーの伝達能力に優れていますので、より効果が高い動画になっています。

本当に効果があるかは、まずは動画を見て呼吸の変化を確かめてください。
いいエネルギーは呼吸がしやすくなり、
悪いエネルギーは呼吸がしにくくなります。

また、スマホなどに手をかざして
手の感覚の変化を感じてみてください。
川に手をかざすと何か感じるものがあると思います。

左側の森が瀧原宮内部です。
右の森は瀧原宮外部です。
左の森のほうが何かを感じると思います。
水はエネルギーを伝搬・保持する能力がありますので、
この瀧原宮・宮川は、神様のエネルギーが入った水となります。
だから、この動画を見ると特に神様チャクラ、第七チャクラが開きます。
神様チャクラを感じる方法は、私の動画にありますので調べてみてください。頭の上に手をかざしてこの動画をみてください。
手に何かの感覚を感じると思います。

比べるのも失礼ですが、YouTube上のチャクラを開くという動画とエネルギーを比べてみてください。
偽物と本物の違いをわかるようになっていただければ幸いです。

#伊勢神宮 #自然音 #パワースポット

Relaxing Music & Rain Sounds - Beautiful Piano Music, Background Music, Sleep Music • You & Me

Relaxing Music & Rain Sounds — Beautiful Piano Music, Background Music, Sleep Music • You & Me



Расслабляющая музыка и звуки дождя (10 часов) от Soothing Relaxation. Прекрасная фортепьянная музыка композитора Педера Б. Хелланда (Peder B. Helland) (\«You & Me\» ), которую можно использовать в качестве фона во время сна, медитации, релаксации и работы. Яндекс.Музыка: soothingrelaxation.lnk.to/listenYL/yandexmusic
Скачать музыку или слушать онлайн на канале «Soothing Relaxation»: soothingrelaxation.lnk.to/listenYL

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel

J.S.Bach Concerto no.1 in D Minor BWV 1052 Polina Osetinskaya Anton Gakkel



NEW AMAZING MUSIC-VIDEO ON THIS CHANEL
youtu.be/ZCPWPh06FwE — Benjamin Britten
youtu.be/BK3aTsBKj9M — Arshia Samsaminia
youtu.be/_h2-h831iLw — Roberto Di Marino

J.S.Bach HARPSICHORD Concerto in D Minor BWV 1052 Polina Osetinskaya piano
The Mariinsky String Orchestra
Conductor: Anton Gakkel www.antongakkel.org/
St.Petersburg, Mariinsky Theatre, Concert Hall 29.03.2015
0:05 — 1mvt / 8:15 — 2mvt / 16:13 — 3mvt
The life of pianist Polina Osetinskaya can be divided into two stages. The first – that of “wunderkind” (a word that Polina herself cannot abide) – was when Polina performed as a girl in huge halls filled with excited sensationalists. The second, which has continued to the present day, is essentially her victory over the first. It is both a reference to serious performing and to exacting audiences.
Polina Osetinskaya began to perform at the age of five. At the age of seven she entered the Central School of Music of the Moscow Conservatoire. Polina gave her first concert at the age of six at the Great Hall of the Vilnius Conservatoire in Lithuania. Together with her father who accepted the role of manager, the young Polina began to undertake frequent tours throughout the former USSR to packed halls and ovations. In her own country Polina was possibly the most famous child of her time and her relationship with her father was portrayed by the mass media as some kind of soap opera after the thirteen-year-old Polina decided to leave her father and study music seriously at the school of the Leningrad Conservatoire under the acclaimed teacher Marina Wolf.
Polina began to tour once again while still a student at the St Petersburg Conservatoire. (The pianist subsequently completed a postgraduate course at the Moscow Conservatoire under Professor Vera Gornostayeva.) She has appeared with the Tokyo Philharmonic Orchestra, the Orchestra of the Weimar National Opera, the Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), the State Academic Svetlanov Symphony Orchestra, the Moscow Virtuosi and the New Russia orchestra among other ensembles.
Polina Osetinskaya’s onstage partners have included conductors Saulius Sondeckis, Vassily Sinaisky, Andrei Boreiko, Gerd Albrecht, Yan Pascal Tortelier and Thomas Sanderling. Polina Osetinskaya has performed at the Wallonie Festival in Brussels, the Mainly Mozart festival, the Frédéric Chopin Festival in Miami, the Stars of the White Nights festival and the December Evenings festival among numerous others.
The pianist has been awarded the Maly Triumph prize. In 2008 she wrote her autobiography Farewell, Sadness, which became a bestseller.
Polina Osetinskaya generally creates unusual and frequently paradoxical solo programmes. She almost always includes works by contemporary composers, frequently justaposing them with traditional classical works: “Contemporary music is not just a continuation of older music. It also helps us discover ideas and beauty in older music that have been lost over decades of the blind museum generation and mechanical and often soulless performing.”
Polina Osetinskaya often performs works by post-avant-garde composers such as Valentin Silvestrov, Leonid Desyatnikov, Vladimir Martynov, Georgs Pelēcis and Pavel Karmanov.

The pianist collaborates with many recording companies including Naxos, Sony Music and Bel Air.
#polinaosetinskaya #musicaaldente #полинаосетинская #бах

Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano

Goldberg Variations Complete (J.S. Bach BWV 988), with score, Kimiko Ishizaka piano



Download the Goldberg Variations (mp3, wav): kimikoishizaka.bandcamp.com/album/j-s-bach-open-goldberg-variations-bwv-988-piano
Silence of the Lambs, Hannibal, The English Patient, Captain Fantastic, Before Sunrise, and Solaris are just a few films to have featured Bach's Goldberg Variations.

\«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself.\»
— Jed Distler, Gramophone Magazine

\«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.\»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine

\«The sound quality of the recording is top notch\»
\«In fact, the album's an audiophile gem.\»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.

J.S. Bach's \«Goldberg Variations\», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org

0:00 Aria
5:00 Variation 1
6:57 Variation 2
9:03 Variation 3
11:00 Variation 4
12:10 Variation 5
13:44 Variation 6
15:22 Variation 7
17:35 Variation 8
19:31 Variation 9
21:38 Variation 10
23:24 Variation 11
25:33 Variation 12
27:49 Variation 13
32:04 Variation 14
34:20 Variation 15
38:54 Variation 16 \«Ouverture\»
42:03 Variation 17
43:47 Variation 18
45:37 Variation 19
47:03 Variation 20
49:08 Variation 21
53:02 Variation 22
54:36 Variation 23
56:55 Variation 24
59:41 Variation 25 (\«Black Pearl\» — slideshow)
1:09:01 Variation 26
1:11:03 Variation 27
1:12:55 Variation 28
1:15:20 Variation 29
1:17:30 Variation 30 \«Quodlibet\»
1:19:32 Aria da Capo

New album from Kimiko Ishizaka featuring her own compositions: www.youtube.com/playlist?list=PLeWVBqJrTS7fVZoVreWC0LN3G2EePa2op

Die Goldberg-Variationen | 哥德堡变奏曲 | ゴルトベルク変奏曲 | 골트베르크 변주곡 | Вариации Гольдберга

Well-Tempered Clavier (J.S. Bach), Book 1, Kimiko Ishizaka, piano

Well-Tempered Clavier (J.S. Bach), Book 1, Kimiko Ishizaka, piano



Download this recording (MP3, WAV): music.kimiko-piano.com/album/bach-well-tempered-clavier-book-1

☛ \«she is a beautiful and technically accomplished player\», \«the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)\»
— American Record Guide, July-August 2015

☛ \«Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.\», \«She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.\»
— Donald Rosenberg, Gramophone Magazine

☛ \«A gifted and obviously devoted Bachian\»
— James Oestreich, New York Times

☛ \«in all the years, all the versions, I have never heard \»Book 1\" done better\", \«The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.\»
— Gapplegate Classical-Modern Music Review, February 26, 2015

☛ \«elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music\», \«A brilliant performance and brilliant set all around!\»
— Robert Cummings, Classical.net

☛ \«This is a recording to change your perception of the Well Tempered Klavier.\»
— Campbell Vertesi, The Cast, March 20, 2015

C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01

This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rother's Lillypond engraving: open.uct.ac.za/handle/11427/13106

Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир

Падал прошлогодний снег (1983) Пластилиновый мультик | Золотая коллекция

Падал прошлогодний снег (1983) Пластилиновый мультик | Золотая коллекция



Пластилиновый мультик \«Падал прошлогодний снег\» о глуповатом, хитром, ленивом и жадном мужичке.
⭐Подписаться на лучшие советские мультики ▶https://www.youtube.com/channel/UCU06hfFzcBjQl9-Ih2SvpoQ?sub_confirmation=1
⭐Все мультфильмы подряд ▶https://www.youtube.com/playlist?list=PLYymTuJXocGKmjzy9GLsS4G-Il89EX-dk

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Красивое видео, релакс, медитация, музыка, море, для, сна, йоги, восстановления сил, нервной системы

Красивое видео, релакс, медитация, музыка, море, для, сна, йоги, восстановления сил, нервной системы



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