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\«Counterpoint passes back and forth between the hands in a conversational and judiciously balanced manner, while a strong lyrical inlpulse informs the cross-handed variations' rapid, bravura passages (Vars 5 and 19, for example). Ishizaka's restrained and concentrated way with slow minor-key variations (Vars 15,21 and 25) lets the music's agonising harmonic tension speak softly for itself.\»
— Jed Distler, Gramophone Magazine
\«She has the fleet fingers to speed through the virtuoso variations with compelling clarity and the sensitivity to probe the dramatic potential of the slower, more profound numbers, pleasurably aided by her consistently lovely tone.\»
— Robert Schulslaper, Issue 36:1 (Sept/Oct 2012), Fanfare Magazine
\«The sound quality of the recording is top notch\»
\«In fact, the album's an audiophile gem.\»
— Reviewed by Christopher Lim in The Business Times, July 20, 2012.
J.S. Bach's \«Goldberg Variations\», BWV 988, recorded by Kimiko Ishizaka on a Bösendorfer grand piano, with score following provided by the iPad app from MuseScore. For more information on this project, see www.opengoldbergvariations.org
☛ \«she is a beautiful and technically accomplished player\», \«the light hand in interpretation makes this performance preferable to Hewitt (the later recording on Hyperion) or Schiff (ECM, Jan/Feb 2013)\»
— American Record Guide, July-August 2015
☛ \«Ishizaka plays the 24 preludes and fugues with impeccable taste and technique, finding many levels of musical meaning even as she brings utmost clarity to the multiplicity of textures.\», \«She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal.\»
— Donald Rosenberg, Gramophone Magazine
☛ \«A gifted and obviously devoted Bachian\»
— James Oestreich, New York Times
☛ \«in all the years, all the versions, I have never heard \»Book 1\" done better\", \«The results are fabulous. There is a great grace to what she gives us, a marvelous clarity, a sense of totality that is a very real joy to hear. She takes Bach at his word, that each part is important in the ultimate contrapuntal result. You hear Bach with new ears.\»
— Gapplegate Classical-Modern Music Review, February 26, 2015
☛ \«elegant, spirited, technically impressive, and ever sensitive to the expressive character of the music\», \«A brilliant performance and brilliant set all around!\»
— Robert Cummings, Classical.net
☛ \«This is a recording to change your perception of the Well Tempered Klavier.\»
— Campbell Vertesi, The Cast, March 20, 2015
C Major — 846 0:00 / 2:41
c minor — 847 4:39 / 6:26
C# Major — 848 8:22 / 9:39
c# minor — 849 12:13 / 15:12
D Major — 850 17:51 / 19:25
d minor — 851 21:13 / 22:51
Eb Major — 852 24:59 / 28:32
eb/d# minor — 853 30:21 / 34:19
E Major — 854 38:14 / 39:58
e minor — 855 41:20 / 43:20
F Major — 856 44:50 / 45:54
f minor — 857 47:22 / 50:14
F# Major — 858 54:12 / 55:52
f# minor — 859 57:58 / 59:03
G Major — 860 1:02:19 / 1:03:14
g minor — 861 1:05:50 / 1:08:03
Ab Major — 862 1:09:58 / 1:11:30
g# minor — 863 1:13:29 / 1:15:31
A Major — 864 1:17:48 / 1:19:21
a minor — 865 1:21:16 / 1:22:41
Bb Major — 866 1:26:45 / 1:28:02
bb minor — 867 1:29:59 / 1:32:26
B Major — 868 1:35:44 / 1:36:43
b minor — 869 1:38:33 / 1:41:01
This performance is by Kimiko Ishizaka, piano, recorded in the Teldex Studio, Berlin, in 2014. The preludes are from the Open Well-Tempered Clavier project, and were made using MuseScore software. Olivier Miquel is the editor. The fugues are from Kyle Rother's Lillypond engraving: open.uct.ac.za/handle/11427/13106
Das Wohltemperierte Klavier / Le Clavier bien tempéré / 平均律クラヴィーア曲集 / 平均律键盘曲集 / 평균율 클라비어곡집 / Хорошо темперированный клавир
Composer: Johann Sebastian Bach
Artist: Yuan Sheng piano
This is the third instalment of Yuan Sheng’s complete Bach cycle played on the piano, previous issues include the Goldberg Variations and the Italian Concerto/French Overture.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer).
This recent recording of the complete 6 Partitas is again a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.
00:00:00 Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium
00:01:43 Partita No. 1 in B-Flat Major, BWV 825: II. Allemande
00:05:37 Partita No. 1 in B-Flat Major, BWV 825: III. Corrente
00:08:35 Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande
00:14:10 Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I&II
00:17:20 Partita No. 1 in B-Flat Major, BWV 825: VI. Giga
00:19:22 Partita No. 2 in C Minor, BWV 826: I. Sinfonia
00:23:43 Partita No. 2 in C Minor, BWV 826: II. Allemande
00:28:20 Partita No. 2 in C Minor, BWV 826: III. Courante
00:30:42 Partita No. 2 in C Minor, BWV 826: IV. Sarabande
00:34:41 Partita No. 2 in C Minor, BWV 826: V. Rondeaux
00:36:07 Partita No. 2 in C Minor, BWV 826: VI. Capriccio
00:39:41 Partita No. 4 in D Major, BWV 828: I. Ouverture
00:46:02 Partita No. 4 in D Major, BWV 828: II. Allemande
00:55:09 Partita No. 4 in D Major, BWV 828: III. Courante
00:58:49 Partita No. 4 in D Major, BWV 828: IV. Sarabande
01:04:58 Partita No. 4 in D Major, BWV 828: V. Aria
01:07:12 Partita No. 4 in D Major, BWV 828: VI. Menuet
01:08:38 Partita No. 4 in D Major, BWV 828: VII. Gigue
01:12:13 Partita No. 3 in A Minor, BWV 827: I. Fantasia
01:14:22 Partita No. 3 in A Minor, BWV 827: II. Allemande
01:17:09 Partita No. 3 in A Minor, BWV 827: III. Corrente
01:20:34 Partita No. 3 in A Minor, BWV 827: IV. Sarabande
01:25:03 Partita No. 3 in A Minor, BWV 827: V. Burlesca
01:27:30 Partita No. 3 in A Minor, BWV 827: VI. Scherzo
01:28:40 Partita No. 3 in A Minor, BWV 827: VII. Gigue
01:31:56 Partita No. 5 in G Major, BWV 829: I. Praeambulum
01:34:38 Partita No. 5 in G Major, BWV 829: II. Allemande
01:38:56 Partita No. 5 in G Major, BWV 829: III. Corrente
01:40:48 Partita No. 5 in G Major, BWV 829: IV. Sarabande
01:45:57 Partita No. 5 in G Major, BWV 829: V. Tempo di menuetta
01:47:52 Partita No. 5 in G Major, BWV 829: VI. Passepied
01:49:37 Partita No. 5 in G Major, BWV 829: VII. Gigue
01:53:26 Partita No. 6 in E Minor, BWV 830: I. Toccata
02:00:26 Partita No. 6 in E Minor, BWV 830: II. Allemanda
02:03:32 Partita No. 6 in E Minor, BWV 830: III. Corrente
02:08:22 Partita No. 6 in E Minor, BWV 830: IV. Sarabande
02:15:16 Partita No. 6 in E Minor, BWV 830: V. Air
02:16:46 Partita No. 6 in E Minor, BWV 830: VI. Tempo di gavotte
02:18:57 Partita No. 6 in E Minor, BWV 830: VII. Gigue
Пластилиновый мультик \«Падал прошлогодний снег\» о глуповатом, хитром, ленивом и жадном мужичке.
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Смотрите также другие популярные советские мультфильмы:
Composer: Johann Sebastian Bach
Artist: Yuan Sheng (piano)
This recording of the complete 6 Partitas is a marvel of elegance, wit, rhetoric and brilliance, played on a modern Steinway.
“China’s premier interpreter of Bach”, is what International Piano Magazine called Yuan Sheng. A pupil of Solomon Mikowsky (Manhattan School of Music) and notably Rosalyn Tureck Yuan Sheng extensively studied the performance practice of Baroque music. Equally at home at the harpsichord he has an instinctive feeling for the possibilities, sonorities and touch of the instrument at hand, so that “the listener might easily have imagined the composer at the keyboard” (Boston Intelligencer). Besides pursuing an international career Yuan Sheng is Professor of Piano at the Bejing Central Conservatory of Music.
Partita No. 1 in B-Flat Major, BWV 825:
00:00:00 I. Praeludium
00:01:43 II. Allemande
00:05:37 III. Corrente
00:08:35 IV. Sarabande
00:14:10 V. Menuet I&II
00:17:20 VI. Giga
Partita No. 2 in C Minor, BWV 826:
00:19:22 I. Sinfonia
00:23:43 II. Allemande
00:28:20 III. Courante
00:30:42 IV. Sarabande
00:34:41 V. Rondeaux
00:36:07 VI. Capriccio
Partita No. 4 in D Major, BWV 828:
00:39:41 I. Ouverture
00:46:02 II. Allemande
00:55:09 III. Courante
00:58:49 IV. Sarabande
01:04:58 V. Aria
01:07:12 VI. Menuet
01:08:38 VII. Gigue
Partita No. 3 in A Minor, BWV 827:
01:12:13 I. Fantasia
01:14:22 II. Allemande
01:17:09 III. Corrente
01:20:34 IV. Sarabande
01:25:03 V. Burlesca
01:27:30 VI. Scherzo
01:28:40 VII. Gigue
Partita No. 5 in G Major, BWV 829:
01:31:56 I. Praeambulum
01:34:38 II. Allemande
01:38:56 III. Corrente
01:40:48 IV. Sarabande
01:45:57 V. Tempo di menuetta
01:47:52 VI. Passepied
01:49:37 VII. Gigue
Partita No. 6 in E Minor, BWV 830:
01:53:26 I. Toccata
02:00:26 II. Allemanda
02:03:32 III. Corrente
02:08:22 IV. Sarabande
02:15:16 V. Air
02:16:46 VI. Tempo di gavotte
02:18:57 VII. Gigue
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